Now I am used to Apple Logic Pro X EQ which also allows dragging each band. Its frequency and gain are set relative to where you just double-clicked. The quickest way I found is double-clicking above or below the 0 dB line to create a new band instantly. Each new band is represented by a coloured dot, with FabFilter assigning a new colour for each band automatically. With such a clean interface, how do you actually use the EQ? One easy way is click on the EQ curve and to drag the band up to boost the gain, or down to reduce it. So whether you want to manipulate subsonic whale recordings or ultrasonic bat noises, FabFilter Pro Q 3 is probably going to work for you.įabFilter Pro Q3 opens up with a clean interface, flat EQ curve and the spectrum By default, the frequency spectrum extends from 10 Hz right up to 30 kHz, with an amplitude of +/- 12 dB. Instead, you simply see a flat EQ curve, fashioned in “FabFilter Pro Q 3 Yellow”, and the grey realtime analyzer showing the incoming signal. When you first open the plugin, you look at a clean, dark interface FabFilter is known for across its plugin range, dominated by the frequency spectrum. No internet is required either, so you can use FabFilter Pro Q 3 offline as well. You simply enter the licence key (which you receive via email after your purchase), enter the text string in the plugin window, and restart it. But FabFilter makes this straightforward and user-friendly. This is really frustrating in many plugins. Let’s start at the beginning and talk about the installation. Given that EQs in Logic Pro X, FL Studio, Ableton Live and other DAWs are powerful and free, is it really worth spending extra for a paid equalizer plug in? Starting Flat Out They don’t make your sound but they shape your sound. Equalizers are essential utilities for any recording musician.
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January 2023
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